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Week Four: The Comic Book

I was actually surprised by the diversity of both the artwork and content, that was beginning to arrive on the scene as comics started to appear in book format. The colors may have been simplified when compared to Windsor McCays shimmering hues, but the content was much more involved and graphic. Some of the plots seemed blatantly violent, which is understandable giving the nature of the time period, but It made me understand why the Comics Code Authority may have reacted to some of the subject matter the way that they did. It was also interesting to read super hero stories like Superman, in the context of the time they were created. Despite the fact that the artwork, plot, and dialogue may have been lacking, the character of the Superman felt a lot more at home helping Indians, fighting crooks, and lifting cars in the world of the 1930’s, than he does watching over the world of today from a space station, wearing the same blue spandex and underwear. Out of all the action stories I read, I felt like the ones by marvel, like Captain America, were actually done really well. The artwork pushed the action outside of the conventional comic-panel, and the overall narrative flow often had a really nice rhythm, and felt very natural.

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Week Ten: Manga

Barefoot Gen was a really heavy way to begin this class. The perspective was both tragic and very humbling. It hurt to watch, but I’m glad that I was exposed to it. Even though the medium of animation doesn’t typically handle heavier topics like that, I think that the story accomplished what it set off to achieve, and was probably able to convey the story in a more palatable way than a live action version would be able to. I’ve always appreciated Manga, (my gateway to the world of manga being through FLCL) but I think its safe to say that my appreciation has been greatly increased, at times forcibly so, since my time studying at Ringling. Building on what Scott McCloud wrote in understanding comics, I think its ability to be so expressive through various levels of magnification and representation makes it an extremely powerful style, and one that is extremely adaptable, handling both serious and entertaining topics alike.

Week Three: The Comic Strip

It's pretty fascinating to see where comics as we know them originated, and how far they've come over the last hundred years or so. It was also really great exploring the medium before the popular notions of what a comic should be like or how they should read were set into stone. The sheer lack of regularity was awesome to see, and it was great that artists and writers were exploring a multitude of styles and techniques so early on, and that everything from Krazy Kat to Peanuts was executable and available. That being said, there were definitely times when some of the storytelling techniques made it extremely difficult for the reader to stay in the flow of the story. Like Windsor McCay's lengthy word explanations of what was happening to Little Nemo, as its happening to Little Nemo. I will say however that the artwork and humor in Little Nemo far outshines any and all awkward writing conventions.