It's pretty fascinating to see where comics as we know them originated, and how far they've come over the last hundred years or so. It was also really great exploring the medium before the popular notions of what a comic should be like or how they should read were set into stone. The sheer lack of regularity was awesome to see, and it was great that artists and writers were exploring a multitude of styles and techniques so early on, and that everything from Krazy Kat to Peanuts was executable and available. That being said, there were definitely times when some of the storytelling techniques made it extremely difficult for the reader to stay in the flow of the story. Like Windsor McCay's lengthy word explanations of what was happening to Little Nemo, as its happening to Little Nemo. I will say however that the artwork and humor in Little Nemo far outshines any and all awkward writing conventions.
I really loved how music was integrated into this weeks reading. Both the music and the art styles seemed to twist and flow together in one moment of nonlinear expression. It’s like you could feel the culture of the time, dripping out of its conventional constraints through any and every available crack or gap. The religious experience of Phillip K Dick, was really intense. I've heard a few people talk about his experience before, but had never realized that it was centered on Christianity. I also really enjoyed some of the underground stories and art styles in the Mothers Oats Comix. The pinnacle of this particular reading experience was listening to In-a-gadda-da-vida, while flipping through “The Dope Dealer”. I also really appreciated the diversity of style and storytelling, in “Gay Comix”. It was pretty awesome hearing about different things people had experienced, and seeing the individual ways they wrote about and expressed those experiences.
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