It's pretty fascinating to see where comics as we know them originated, and how far they've come over the last hundred years or so. It was also really great exploring the medium before the popular notions of what a comic should be like or how they should read were set into stone. The sheer lack of regularity was awesome to see, and it was great that artists and writers were exploring a multitude of styles and techniques so early on, and that everything from Krazy Kat to Peanuts was executable and available. That being said, there were definitely times when some of the storytelling techniques made it extremely difficult for the reader to stay in the flow of the story. Like Windsor McCay's lengthy word explanations of what was happening to Little Nemo, as its happening to Little Nemo. I will say however that the artwork and humor in Little Nemo far outshines any and all awkward writing conventions.
A Contract With God A powerful work of storytelling. Even with how little it visually showed and verbally explained about that time period, the simple yet effective storytelling techniques shed a powerful light into the world of the thirties. The layout and information on each page stayed true to the essential items needed to convey the story at hand, while the expressions and designs of each character involved were perfectly fitted to that characters particular nature. The flow of the stories themselves was also really interesting. It starts off very regal and true, then gradually starts to slip down into degradation, whizzing past horrible defiling moments, building up into this final orgiastic climax, and then finally ending with one boy “Willie” standing on the edge of his balcony, pausing after being given his new set of family expectations, and reflecting on all that happened over the summer. Blankets I love how expressive and powerful Thompson...
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