Skip to main content

Week Twelve: Comics by Women

I was really impressed by the comic Pretty Deadly, although I think the title could use some work. One of my friends from the Air Force used to be obsessed with Taylor Momsens band “Pretty Reckless” and I always used to give him a hard time about how teen-angst that name sounded..

In all seriousness the comic was awesome. I loved the art; the line work was expressive and detailed, charged with life and beautifully orchestrated. The colors were also phenomenal, and really added to the overall tone of the story. I also really liked how such non-traditional narrators were narrating the story almost like a fable. It seemed to allow for bending of the worlds rules – like having the vulture girl come in as an actual vulture in the first volume. I never would have questioned the legitimacy of a comic based on the sex of its creators, but its awesome to see such slam-dunk work out there in the name of equality. 



Comments

Post a Comment

Popular posts from this blog

Week Six: Underground ComiXXX

I really loved how music was integrated into this weeks reading. Both the music and the art styles seemed to twist and flow together in one moment of nonlinear expression. It’s like you could feel the culture of the time, dripping out of its conventional constraints through any and every available crack or gap. The religious experience of Phillip K Dick, was really intense. I've heard a few people talk about his experience before, but had never realized that it was centered on Christianity. I also really enjoyed some of the underground stories and art styles in the Mothers Oats Comix. The pinnacle of this particular reading experience was listening to In-a-gadda-da-vida, while flipping through “The Dope Dealer”. I also really appreciated the diversity of style and storytelling, in “Gay Comix”. It was pretty awesome hearing about different things people had experienced, and seeing the individual ways they wrote about and expressed those experiences.
Post a Comment
Read more

Week Ten: Manga

Barefoot Gen was a really heavy way to begin this class. The perspective was both tragic and very humbling. It hurt to watch, but I’m glad that I was exposed to it. Even though the medium of animation doesn’t typically handle heavier topics like that, I think that the story accomplished what it set off to achieve, and was probably able to convey the story in a more palatable way than a live action version would be able to. I’ve always appreciated Manga, (my gateway to the world of manga being through FLCL) but I think its safe to say that my appreciation has been greatly increased, at times forcibly so, since my time studying at Ringling. Building on what Scott McCloud wrote in understanding comics, I think its ability to be so expressive through various levels of magnification and representation makes it an extremely powerful style, and one that is extremely adaptable, handling both serious and entertaining topics alike.
Post a Comment
Read more

Week Three: The Comic Strip

It's pretty fascinating to see where comics as we know them originated, and how far they've come over the last hundred years or so. It was also really great exploring the medium before the popular notions of what a comic should be like or how they should read were set into stone. The sheer lack of regularity was awesome to see, and it was great that artists and writers were exploring a multitude of styles and techniques so early on, and that everything from Krazy Kat to Peanuts was executable and available. That being said, there were definitely times when some of the storytelling techniques made it extremely difficult for the reader to stay in the flow of the story. Like Windsor McCay's lengthy word explanations of what was happening to Little Nemo, as its happening to Little Nemo. I will say however that the artwork and humor in Little Nemo far outshines any and all awkward writing conventions.
Post a Comment
Read more